It begins with Onkar.

There’s ease in his expression. Unforced movement. You’re not looking at someone trying to be in front of a camera — you’re looking at someone who already knows where they are. That changes the rhythm of the shoot.

He holds the space without taking it over. Whether we’re shooting tight or letting the background breathe, Onkar lets the camera do its job — no ego, no performance. Just clarity.

This wasn’t about mood or drama. It was about comfort, alignment, clean execution. That’s what came through in every frame: nothing extra, everything intentional.